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Jurassic Park III, on the other hand, is what happens when a series of actors find themselves working together and something feels off. In turn, they turned into be a cast of likable character actors, making for one of the most surprisingly functional misfit casts I have yet to see. The Lost World had the likes of Jeff Goldblum, Julianne Moore, and Vince Vaughn, all actors you wouldn't think would star in a Jurassic Park film, but somehow found their way onto the set and decided to make due with what they had. The Pterodactyls steal the show in this film, for they are the ones who are unpredictable, quick-witted, and more entertaining to watch than the group of misplaced actors on display. Worst of all, many of the dinosaurs are Pterodactyls, soaring menaces that hunt for prey on the ground before scooping them up and taking off without a trace.
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He reluctantly agrees until, while on the plane, realizes that the Kirby's want to land on and explore the island, resulting in a plane crash that leaves the three of them, plus Grant's son Billy (Alessandro Nivola) and a handful of Kirby's men, stranded in a playground filled with dinosaurs. Macy) and his wife Amanda (Téa Leoni), who cut him a blank check to give them an aerial tour of the island of Isla Sorna.
Grant meets a man named Paul Kirby (William H. Despite saying he has no ambition to return to a life involving dinosaurs, Dr. Alan Grant (Sam Neill) of the first film, who is now refreshed with the events of Jurassic Park out of his mind. Where Steven Spielberg had a method to his madness, and a terrific sense of buildup in both of his films, director Joe Johnston and writers Peter Buchman, Alexander Payne (yes, Election and Sideways Alexander Payne), and Jim Taylor simply stumble when trying to find a route to take with Jurassic Park III that works and breeds new life into material that's beginning to show signs of wear. It plays like a theme park ride, with little sense of danger and a heavy sense of perfunctory happenings that simply occur in without much added spark of ingenuity or creativity behind them. Jurassic Park III can't manage to conjure up the same kind of danger that the original film did, nor the moodiness and the energetic cast of misfits of the second film. With Jurassic Park III, however, we now have two very capable films to compare this one to, and this, on top of several issues this installment bears, work to not only derail a franchise that had fairly solid footing in the ground but managed to defy odds to become one of the few defining films in American history for its special effects. I mentioned in my review of The Lost World: Jurassic Park that it would be difficult to call a dinosaur film, at that time, at least, "routine" or cliché because of how rarely dinosaurs were put on film.